Mission: Impossible (Danny Elfman) (1996) MP3

Os dejo la BSO de la archiconocida peli "Mision: Imposible" con Tomás Cruzero al frente. Una buena peli de DePalma y una buena BSO de Elfman, qué más quereis? D

Compositor: Danny Elfman
Año: 1996
Procedencia: U.S.A.
Formato: MPEG a 128 kbps / 44,100kHz
Tamaño Archivo: 48,6 Mb (Comprimido)

CONTENIDO:

1- Sleeping Beauty
2- Mission Impossible Theme
3- Red Handed
4- Big Trouble
5- Love Theme?
6- Mole Hunt
7- The Disc
8- Max Found
9- Looking For Job
10- Betrayal
11- The Heist
12- Uh-Oh!
13- Biblical Revelation
14- Phone Home
15- Train Time
16- Menage A Trois
17- Zoom A
18- Zoom B

Link

Info de la peli de Wikipedia:

Mission: Impossible is an action movie released in 1996. It was directed by Brian De Palma and starred Tom Cruise as Ethan Hunt. The plot follows Ethan Hunt’s (Tom Cruise) mission to uncover the mole within CIA who has framed him for the murders of his entire IMF team. Work on the script had began early with filmmaker Sydney Pollack on board, before De Palma, Steve Zaillian, David Koepp, and Robert Towne were brought in. In fact, the film went into pre-production without a shooting script. De Palma came up with some action sequences, but neither Koepp nor Towne were satisfied with the story that leads up to these events.

U2 band members Larry Mullen Jr. and Adam Clayton produced their own version of the original theme song. The song went into top ten charts around the world and was nominated for a Grammy Award for Best Pop Instrumental Performance. The movie was the third highest grossing of the year. It is the first movie based on the television series of the same name and was followed by two sequels, Mission: Impossible II (2000) and Mission: Impossible III (2006).

Paramount Pictures owned the rights to the television series and had tried for years to make a film version but had failed to come up with a viable treatment. Tom Cruise was a fan of the show since he was young and thought that it would be a good idea for a film. The actor chose Mission: Impossible to be the first project of his new production company and convinced Paramount to put up a $70 million budget. Cruise and his producing partner Paula Wagner worked on a story with filmmaker Sydney Pollack for a few months when the actor hired Brian De Palma to direct. They went through two screenplay drafts that no one liked. De Palma brought in screenwriters Steve Zaillian, David Koepp, and finally Robert Towne. According to the director, the goal of the script was to "constantly surprise the audience".

The film went into pre-production without a script that the filmmakers wanted to use. De Palma designed the action sequences but neither Koepp or Towne were satisfied with the story that would make these sequences take place. Towne ended up helping organize a beginning, middle and end to hang story details on while De Palma and Koepp worked on the plot. De Palma convinced Cruise to set the first act of the film in Prague, a city rarely seen in Hollywood films at the time.

The scene that takes place in a glass-walled restaurant with a big lobster tank in the middle and three huge fish tanks overhead was Cruise's idea. There were 16 tons in all of the tanks and there was a concern that when they blew, a lot of glass would fly around. De Palma tried the sequence with a stuntman but it did not look convincing and he asked Cruise to do it despite the possibility that the actor could have drowned.

The script that Cruise approved called for a final showdown to take place on top of a moving train. The actor wanted to use the famously fast French train the TGV but rail authorities did not want any part of the stunt performed on their trains. When that was no longer a problem, the track was not available. De Palma visited railroads on two continents trying to get permission. Cruise took the train owners out to dinner and the next day they were allowed to use it. For the actual sequence, the actor wanted wind that was so powerful that it could knock him off the train. Cruise had difficulty finding the right machine that would create the wind velocity that would look visually accurate before remembering a simulator he used while training as a skydiver. The only machine of its kind in Europe was located and acquired. Cruise had it produce winds up to 140 miles per hour so it would distort his face. Most of the sequence, however, was filmed on a stage against a blue screen for later digitizing by the visual effects team at Industrial Light & Magic.

The filmmakers delivered the film on time and under budget with Cruise doing most of his own stunts. Initially, there was a sophisticated opening sequence that introduced a love triangle between Phelps, his wife and Ethan Hunt that was removed because it took the test audience "out of the genre", according to De Palma. There were rumors that the actor and De Palma did not get along and they were fueled by the director excusing himself at the last moment from scheduled media interviews before the film's theatrical release.

Apple Computer had a $15 million promotion linked to the film that included a game, print ads and television spot featuring scenes from the TV show turned into the feature film; dealer and in-theater promos; and a placement of Apple personal computers in the film. This was an attempt on Apple's part to improve their image after posting a $740 million loss in its fiscal second quarter.

A disfrutar!!

Enlazada desde la score de la tercera película de la saga